Again one night he heard the Dies Irae

Again one night he heard the Dies Irae, or some organized foreign chant, approach to the verge of his buffer zone of empty rooms. Feeling invisible he glided out to look and not be seen. His neighbor, an elderly merchant from Milan, had in recent days it seemed collapsed from a heart attack, lingered, died. The others, roisterers, had organized a wake. With ceremony they wrapped his body in silk sheets stripped from his bed: but before the last brightness of dead flesh had been covered Mondaugen saw in a quick sly look its decoration of furrows and poor young scar tissue cut down in its prime. Sjambok, makoss, donkey whip . . . something long that could cut.
They took the cadaver off to a ravine to toss it in. One stayed behind.
"He remains in your room, then," she began.
"By choice."
"He has no choice. You'll make him go."
"You'll have to make him go, Fraulein."
"Then bring me to him?" almost importunate. Her eyes, rimmed in black after Foppl's 1904, needed something less hermetic than this empty corridor to frame them: palazzo's facade, provincial square, esplanade in the winter - yet more human, perhaps only more humorous than, say, the Kalahari. It was her inability to come to rest anywhere inside plausible extremes, her nervous, endless motion, like the counter-crepitating of the ball along its roulette spokes, seeking a random compartment but finally making, having made, sense only as precisely the dynamic uncertainty she was, this that upset Mondaugen enough to scowl quietly and say with a certain dignity no, turn, leave her there and, return to his sferics. They both knew he'd done nothing decisive.
Having found the
Chapter 10
In which various sets of young people get together
I
McClintic Sphere, whose horn man was soloing, stood by the empty piano, looking off at nothing in particular. He was half listening to the music (touching the keys of his alto now and again, as if by sympathetic magic to make that natural horn develop the idea differently, some way Sphere thought could be better) and half watching the customers at the tables.
This was last set and it'd been a bad week for Sphere. Some of the colleges were let out and the place had been crowded with these types who liked to talk to each other a lot. Every now and again, they'd invite him over to a table between sets and ask him what he thought about other altos. Some of them would go through the old Northern liberal routine: look at me, I'll sit with anybody. Either that or they would say: "Hey fella, how about Night Train?" Yes, bwana. Yazzuh, boss. Dis darkey, ol' Uncle McClintic, he play you de finest Night Train you evah did hear. An' aftah de set he gwine take dis of alto an' shove it up yo' white Ivy League ass.
The horn wanted to finish off: he'd been tired all week as Sphere. They took fours with the drummer, stated the main theme in unison and left the stand.
The bums stood outside like a receiving line. Spring had hit New York all warm and aphrodisiac. Sphere found his Triumph in the lot, got in and took off uptown. He needed to relax.